Over the course of more than two decades, late conceptual artist Rutherford Chang developed a body of work in which mass collections of commonly circulated objects explore how value is constructed through the collective beliefs of networked cultures, both on and offline. Centered on meticulously collected everyday objects such as pennies, the Beatles’ The White Album, newspaper clippings, Tetris points, Chang’s focus ultimately encompasses what is beyond the objects themselves. Instead, his disciplined attention to the acts of collection, sorting, reclassication, comparison, and recontextualization exposed underlying systems and social structures that create meaning and value.
On the occasion of Chang’s first survey exhibition, Hundreds and Thousands at UCCA Beijing, this conversation brings together Tsinghua media and communications scholar Wu Jingwei, and Executive Director of Rhizome and editor of The Art Happens Here: Net Art Anthology, Michael Connor (Online participation), to reflect on Chang’s practice through a lens of contemporary networked culture. The conversation will be moderated by Zandie Brockett, Head of Special Projects of the Estate of Rutherford Chang.
Chang’s durational and process-driven practice gathered traces of the public’s gestures, exchanges, and histories embedded in these ordinary objects. Through them, he invited us, as participants in the systems his work reflects, to find a new way of seeing the latent architectures that shape our contemporary, post-Internet lives. The discussion will explore how Chang’s monk-like discipline infused with an absurdist humor anticipated many of the questions central to the flow of information and meaning in material culture today: What does it mean to treat circulation itself as a medium? How and why do objects accumulate value as they pass through social systems whether fan cultures, collector communities, or media infrastructures? And, how might we understand the constraints of these system’s algorithms while imagining new ways of navigating and relating within the web?
Michael Connor, online participation (Executive Director of Rhizome)
Michael Connor is Executive Director of Rhizome, where he oversaw the Net Art Anthology initiative, an effort to retell the history of net art through 100 works, presented as an online exhibition, gallery exhibition, and book. He is also curatorial advisor for Kadist, a non-profit contemporary art organization, and ArtBlocks, an NFT platform. His first online curatorial project took place in 2003 at FACT, Liverpool, where he organized an edition of the traveling exhibition “Kingdom of Piracy” with Shu Lea Cheang, Yukiko Shikata, and Armin Medosch. Connor is currently editing a book by Gene Youngblood about the work of Kit Galloway and Sherrie Rabinowitz.
Jingwei Wu (Associate Professor at the School of Journalism and Communication, Tsinghua University)
Dr. Jingwei Wu is an Associate Professor at the School of Journalism and Communication, Tsinghua University, China. She received her Dr. Phil. (Ph.D.) in Communication and Media Studies from the Free University of Berlin in 2016. Her research focuses on media theory, the Public and Private in social media, intercultural communication, and media history. Dr. Wu has a long-standing interest in the social and cultural implications of media technologies, with particular emphasis on the everyday life history of technology. She is the author of How Artificial Intelligence Changes Journalism: Technology, Media Materiality, and Human–Machine Integration, A History of German Journalism and Communication, and Key Readings in Media and Technology Studies (Vols. 1 & 2), as well as the English-language monograph Private and Public on Social Network Sites: Differences and Similarities Between Germany and China in a Globalized World. Dr. Wu is also the editor of the textbook Introduction to Media Studies.
Zandie Chang Brockett (Independent Curator, Head of Special Projects for the Estate of Rutherford Chang)
Zandie Chang Brockett is a curator, cultural infrastructure builder, and writer exploring sociocultural change and diasporic ways of knowing that reorient notions of the “East.” After nearly a decade working in Beijing and Shanghai, she founded West of Here, an experiential studio collaborating with institutions and brands to rethink audience engagement and support ambitious cultural work. Her projects span immersive public programs, performances, and artist-led campaigns that explore intelligence embedded in communities, ecologies, and the body. Her approach has led her to help organizations like Rhizome, the Annenberg Foundation, and Amplifier, and brands such as NeueHouse, Swire Hotels, Apple Beats, Champion, and Louis Vuitton. She recently brought to life ENCODED, an AR intervention featuring 17 Indigenous artists in The Met’s American Wing. Zandie holds degrees from Duke University and Duke’s Fuqua School of Business and is currently writing a memoir on Chinese diasporic identity against the backdrop of evolving Sino-American post-war relations.